Taking a dive

I’ve always been fascinated by that stuff. I want to experience what it’s like to be in a war

OK, I know I’m banging on about the war but ’twas not my intention when I came here for a nice weekend of diving. Bali, the island of the gods of mass tourism, complete with underwater traffic jams and prepubescent Legong dancing girls. Yet even here the war catches up with you, well me, in unexpected ways. And by the way, for someone used to the Middle East Bali’s supposedly strict security measures may seem touchingly low-key at the moment.

Anyway, on my first dive trip, and the drive to the site of the wreck of the USAT Liberty, I was joined by two gregarious young Americans, students at Wharton who just started a six month stint in Singapore, Ben and Arman. They duly asked me what I did for a living followed immediately by, “ever been to any war zones?”. For the next four hours, except underwater where talking is frowned upon, they continued to question me relentlessly on the subject. One of them in particular unhesitatingly expressed an interest in the mechanics of war, the personal danger etc. including the desire to actually be in a war. Short of joining up that is. I suppose because you don’t squander a degree from Wharton on the army.

Don’t get me wrong, I have no problem with either of these seemingly reasonable and well-travelled business students. They sounded sincere and very well-informed. Who says that today’s students don’t follow the news?

What did strike me was their interest in my war stories. I’ve written before that usually people’s eyes start glazing over when I talk about my job and what I did in some conflict areas. I always thought it was me, the way I told it. But these two, a bit too long only to be polite, seemed genuinely interested, in the physical reality of the journalist, in the details of war and in some broader policy questions. They asked why journalists keep doing it if so many get killed. So sue me, I may have hammed it up a bit. Or maybe not so much. Maybe it’s an age thing and the people in my cohort have heard it all before. Who knows. Maybe it’s just that war is indeed a young men’s game and the younger we are, the more we’re fascinated by it.

We did two dives to the wreck of the US Army Transport Liberty, an American warship that was torpedoed off Bali during WWII. The two war-curious Wharton students thought the first dive a bit dull,we stayed well clear of the structure and just watched the marine life. But they went all hooyah over the second one when we ducked through some openings and hovered really close. None of it means much, except that I went for a dive.

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The Balinese coast at Candidasa

Art, conflict and pretty pics – Nat Muller on Richard Mosse’s The Enclave

Poster for The Enclave, Irish Pavillion, 55th Venice Biennale
The poster for The Enclave at the 55th Venice Biennale. On the back Lac Vert Lullaby. A text at the bottom said that it was recorded by Ben Frost at Lac Vert, Congo, in 2012 for The Enclave.

“Artists do not per se have an accountability towards their audiences. If anything their accountability is to make interesting work”

Nat Muller, independent curator and critic with her share of experience  in conflict areas and former conflict areas such as the Middle East and the Balkans, shines her light on Richard Mosse’s The Enclave, shown in the Irish pavilion at the 55th Venice Biennale. She reacts to my doubts about a work that straddles the divide between art and photojournalism, and more directly to the criticism by Louise Williams, the Irish journalist with extensive experience in Congo. You can follow Nat and Louise on twitter: @nat_muller and @Loureports and Louise has a blog: travels with my microphone