Interview with Louise Williams on Congo, conflict and the pictures of Richard Mosse
More on the pitfalls of art, journalism and conflict – A while ago I posted on Richard Mosse’s impressive work on Congo for the Irish pavilion at the Venice Biennial, called The Enclave. The work is troubling in part because it situates itself so clearly in a war zone and uses that, to the extent that the texts at the show mentioned a new way of looking at photojournalism. My Irish friend and colleague Louise Williams frequently visits Congo for her work as a journalist and a trainer. And she is fed up with the one-dimensional perpetuation of this violent image of Congo and with people using it towards their own ends. Listen to the interview (10 minutes). The artwork is supposed to be animated, fluctuating between pink and green. I posted it separately.
Louise Williams on Richard Mosse and Congo by Ferry Biedermann is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
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[…] about a work that straddles the divide between art and photojournalism, and more directly to the criticism by Louise Williams, the Irish journalist with extensive experience in […]